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Dancing about Architecture: A Little Book of Creativity is a compendium of outrageous ideas: ideas about how to take more risks, and about how to go about coming up with better ideas. Ideas about how to plan experiences that leave people who are in the same room as those ideas awestruck, and ideas to help you avoid the textbook, the worksheet the barely stifled yawn. From using The Book of Revelation as a planning device; to seeing every experience through the prism of physical activity or song; to measuring a poem to find its real heart; it outlines a methodology that, if you use it, will make you an even greater creative force than you already are.
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You don’t need to be a genius, you just need to be yourself. That’s the message from Austin Kleon, a young writer and artist who knows that creativity is everywhere, creativity is for everyone. A manifesto for the digital age, Steal Like an Artist is a guide whose positive message, graphic look and illustrations, exercises, and examples will put readers directly in touch with their artistic side.
When Mr. Kleon was asked to address college students in upstate New York, he shaped his speech around the ten things he wished someone had told him when he was starting out. The talk went viral, and its author dug deeper into his own ideas to create Steal Like an Artist, the book. The result is inspiring, hip, original, practical, and entertaining. And filled with new truths about creativity: Nothing is original, so embrace influence, col- lect ideas, and remix and re-imagine to discover your own path. Follow your interests wherever they take you. Stay smart, stay out of debt, and risk being boring—the creative you will need to make room to be wild and daring in your imagination.
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Only once did David Foster Wallace give a public talk on his views on life, during a commencement address given in 2005 at Kenyon College. The speech is reprinted for the first time in book form in THIS IS WATER. How does one keep from going through their comfortable, prosperous adult life unconsciously? How do we get ourselves out of the foreground of our thoughts and achieve compassion? The speech captures Wallace’s electric intellect as well as his grace in attention to others. After his death, it became a treasured piece of writing reprinted in The Wall Street Journal and the London Times, commented on endlessly in blogs, and emailed from friend to friend.
Writing with his one-of-a-kind blend of causal humor, exacting intellect, and practical philosophy, David Foster Wallace probes the challenges of daily living and offers advice that renews us with every reading.
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The profound mysteries of creative thought have long intimidated the world’s finest brains. How do you measure the imagination? How do you quantify an epiphany? These daunting questions led researchers to neglect the subject for hundreds of years. In Jonah Lehrer’s ambitious and enthralling new book, we go in search of the epiphany. Shattering the myth of creative ‘types’, Lehrer shows how new research is deepening our understanding of the human imagination. Creativity is not a ‘gift’ that only some possess. It’s a term for a variety of distinct thought processes that we can all learn to use more effectively. Some acts of imagination are best done sipping espresso in a crowded cafe, while others require long walks in a quiet park. Lehrer helps us fit our creative strategies to the task at hand. The journey begins with the fluttering of neurons in the prefrontal cortex, before moving out to consider how this new science can also make neighbourhoods more vibrant, companies more productive and schools more effective. We’ll learn about Bob Dylan’s writing habits and the drug addiction of poets. We’ll see why Elizabethan England experienced a creative explosion, and how Pixar designed its office space to get the most out of its talent. Collapsing the layers separating the neuron from the finished symphony, Imagine reveals the deep inventiveness of the human mind and its essential role in our increasingly complex world.
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A landmark literary novel, balancing unbearable sadness and beauty in the voice of a witty, beleaguered teen-ager whose family is destroyed by fundamentalist Christianity “Half of our family, the better-looking half, is missing,” Nomi tells us at the beginning of A Complicated Kindness. Left alone with her sad, peculiar father, her days are spent piecing together why her mother and sister have disappeared and contemplating her inevitable career at Happy Family Farms, a chicken slaughterhouse on the outskirts of East Village-not the East Village in New York City where Nomi would prefer to live, but a dull, oppressive town founded by Mennonites on the cold, flat plains of Manitoba, Canada.This moving, darkly funny novel is the world according to Nomi Nickel, a bewildered and wry sixteen-year-old trapped in a town governed by fundamentalist religion. In Nomi’s droll, refreshing voice, we’re told the story of her eccentric, touching family as it falls apart, each member on a collision course with the only community they have ever known. A work of fierce humor and tragedy by a writer poised to take the American market by storm, this searing, tender, comic testament to family love will break your heart.
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Easy to read, affordable, loaded with photos and practical advice for activists, Occupy is another vital contribution from Chomsky to the literature of defiance and protest, and a red-hot rallying call to forge a better, more egalitarian future….[an] excellent read.”Alternet
Since its sudden appearance in September 2011, the Occupy Movement has spread to thousands of towns and cities across the world. For some it’s the economy. For others, it’s something deeper. Through relentless organizing and ongoing civil disobedience, the movement now occupies the global conscience as its influence spreads from street assemblies and protests to op-ed pages and the corridors of power. From the movement’s onset, Noam Chomsky was there, offering his voice, his support, and his detailed analysis of what’s been going down and what might be done.
In Occupy, Chomsky presents his latest thinking on the core issues, questions and demands that are driving ordinary people to protest. How did we get to this point? How do the wealthiest 1% influence society? How can we separate money from politics? What would a genuine democracy look like? How can we create new institutions to increase freedom and equality for all?
Following the old course, says Chomsky, isn’t going to work. He argues that if we continue to follow the model of growth set for us by the 1%, we’ll be like lemmings walking off a cliff. The only alternative is to get involved and fight for a better future. If not now, when? If not us, who?
Read this book if you want to do something to protect freedom, democracy, and the economy from further corporate influence and control.
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This is a book about memories, love, sex and the power of the imagination to see us through the most difficult times. The women of Reality, Reality are mesmerizing, whether in love or in solitude. Grace and Rose, glowing with pride, are the first to marry on Shetland; Hadassah, named for the Morning Star, burns as brightly. Margaret, alone in her care home, places her hope in a cherry red cardigan; Elina Makropulos, whose voice is the toast of generations, is desperate to be allowed to grow old. Stef cooks for made-up judges on the TV show in her head. Pat diets for one hundred and forty-three days to find her ‘Mini-me’. Dionne longs for a child; Mrs Vadnie Marlene Sevlon for her husband. And Elizabeth Ellen carries her new baby into a future she didn’t know could be hers. Jackie Kay’s newest and most luminous of collections is full of compassion, generosity, sorrow and joy. In fifteen extraordinary stories, she celebrates the richness and power of dream-life to inspire, to repair, and to make real.
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This is the life and times of T. S. Garp, the bastard son of Jenny Fields - a feminist leader ahead of her times. It is also the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes - even of sexual assassinations. It is a novel rich with ‘lunacy and sorrow’; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. It provides almost cheerful, even hilarious evidence of its famous last line: “In the world according to Garp, we are all terminal cases.”